The People Behind The Anama Concept
Lefteris Mohianakis studied oenology and the technology of spirits in Athens and worked in wineries in Greece, Cyprus and New Zealand before returning to the island. He runs the vineyard and the production side, and he is explicit about keeping machinery out of the process wherever a pair of hands will do the work instead.
Kristina Apostolou took an honours degree in jewellery design at Central Saint Martins in London, worked as head designer for a British company and ran her own contemporary jewellery label before joining the venture. She is creative director, and she redesigns the bottle, the label and the packaging for every release, which is why the range looks like a collection of objects as much as a line of wines.
How The Anama Concept began
The two founded the house together in 2009 as a creative project rather than a conventional winery launch. The idea was to take the oldest thread in Cypriot winemaking and produce it at a very small scale, with contemporary oenology and contemporary design applied in equal measure.
That first vintage, 723 bottles, established the format. Later releases have stayed in the same territory: the 2014, released in November 2016, ran to 1,769 bottles. These are numbers a single vineyard and a hand harvest allow, and the house has not tried to grow past them.